Hermitage

In 'Hermitage' project the main subject is the museum as an art institution and its impact and influence of our perception of art. Taking the way art is being presented in the Hermitage, one of the biggest art collections in Russia, as an example, I also question public’s actual interest for the artwork. The impossibility to see the painting, because of the reflections, creates an interesting relation between the artwork and the viewer. On the one hand, there is common sense in the action of going to the museum, but on the other, the failure to perceive it properly renders the action meaningless.
Another layer that constitutes the project is photo reproduction of a painting. Captured from certain position the original value of the painting is taken away. The attention is shifted from esthetic qualities of the artwork to the context of where and how it is displayed. In this way photography is able to generalize and through particular artworks present a new perspective. This project has resulted in a book.

http://www.olalanko.com/files/gimgs/18_2.jpg
Hermitage
Book fragment
http://www.olalanko.com/files/gimgs/18_img0247.jpg
Portrait
Hermitage, St. Petersburg
http://www.olalanko.com/files/gimgs/18_img0153.jpg
Gogol type
Hermitage, St. Petersburg
http://www.olalanko.com/files/gimgs/18_img0076.jpg
Portrait of unknown woman
Hermitage, St. Petersburg
http://www.olalanko.com/files/gimgs/18_img0080.jpg
Portrait of unknown man
Hermitage, St. Petersburg
http://www.olalanko.com/files/gimgs/18_img0112.jpg
Portrait of I.V. Kuzov
Hermitage, St. Petersburg
http://www.olalanko.com/files/gimgs/18_img0073.jpg
Portrait of Anna Vorontsova
Hermitage, St. Petersburg
http://www.olalanko.com/files/gimgs/18_img0071.jpg
Wife of unknown sculptor
Hermitage, St. Petersburg
http://www.olalanko.com/files/gimgs/18_img0116.jpg
Portrait of Alexey Korsakov
Hermitage, St. Petersburg